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H A I L

H A I L

8.00

From the industrial eccentricity of inner undulation, to the experimental approach of progressive musicology, the poems in HAIL speak of the psychological depictions of interpretation and musical ethnocentrism. It bridges the histories of musical social status found in society, the evolution of musical transmission over the course of two centuries and offers a subjective dissolution of every musician's embodiment of thought and how the innate musical natures found in humanity shapes the perception of music in our society today.

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